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and entirely by air — and had a lovely voice. She decided to teach us to dance. So the Simmons children — who live in the Parsonage — Emily (now Mrs. Charles Russell), Sonnax — and Quillie (now Mrs. Tom White) used to come over. Mauma would play and Aunt Lil taught us to dance. I never hear the old waltz — “There is but one Paris” or the “Blue Danube” — that I can’t look back and see the living room. Mauma was at the piano — and Aunt Lil swung us up for steps.

Then the whole tribe came down with measles. Except me. I had had them — and beautifully in Charleston. I would look at my hands and weep because they looked so horrid — Mauma made me little white bags and tied my hands up in them so that I couldn’t see them. I didn’t seem to worry about my face. Aunt Louisa came in to see me and brought me some moss roses — from the garden — and a little china dog wearing spectacles. It’s queer the little memories that we keep through all the years.

Mr. Kershaw the rector of St. Michael’s church — in Charleston — was one of Mam’mie’s dear friends. She knew him when she was a girl in Camden. After her father’s death Mr.

AI Notes

Continuation of the memoir. Aunt Lil decides to teach the children to dance; the Simmons children — who live in the Parsonage — Emily (now Mrs. Charles Russell), Sonnax, and Quillie (now Mrs. Tom White) — come over. Mauma plays piano. The writer recalls having measles in Charleston and being unable to see her hands; Aunt Louisa brought her moss roses and a china dog wearing spectacles. Mr. Kershaw, rector of St. Michael’s church in Charleston, was a dear friend of Amy’s mother Mam’mie (Mary Anne Perry FitzSimons), whom he knew as a girl in Camden. The Simmons children are a clergyman’s household at the Parsonage; ‘Mam’mie’ is the household pet name for Mary Anne Perry FitzSimons, and the Camden friendship is Amy’s mother’s, not the nurse’s.